![]() With the introduction of support for the MP3 file format, Ableton have made the entire contents of everyone's digitised music libraries instantly accessible for what they lyrically call 'guaranteed mash-up gratification'. #Ableton simple delay beat divisions software#While Ableton's aim with this release is to bring the software to the status of a serious DAW, they haven't forgotten their large contingent of DJ users and remixers, and some of the major improvements target these groups. It is worth familiarising yourself with these menus early on, since they hide a lot of goodies, especially in the file-browser department and with regard to fine-tuning warp markers. To handle the much greater complexity of the program, Ableton have introduced a couple of new buttons to control the display, and a number of contextual menus that can the accessed via right mouse-clicking (Windows) or Ctrl-clicking (Mac). There are a few enhancements, like the resizable mixer channels in Clip view, but overall, Live 5 doesn't look much different from its predecessors. In terms of the user interface and graphic display of the software, Live 5 hasn't changed much since the last release, and if you're not familiar with the program I suggest you take a look at Sound On Sound 's reviews of Live 4 (September 2004) and the original Live (February 2002). Ableton have integrated a lot of user requests in this release, and the good relations they maintain with their user base really seem to have paid off for both parties. ![]() ![]() Version 5 of Ableton's Live loop-sequencing environment is a serious, feature-packed update, and I can believe the Ableton team when they describe it as their largest development effort since the first version of the program. Version 5 addresses requests from all these areas, whilst retaining the program's renowned ease of use. Ableton Live is one of the software success stories of the last few years, with devoted users in fields as diverse as DJing, remixing, theatre sound and music production. ![]()
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